Radio comedy scripts

A Christmas Carol — Christmas skits. A Famed Life — ten minute comedy about a personal servant leaving her very needy boss who cannot cope without her! A House of Dolls — script about a crazy man obsessed family.

radio comedy scripts

A Likely Story — five minute comedy filler. Aboard Disorder — Short satire about Mental Disorders. Art Talk — comedy skits for three actors.

Bad News, Pluto! Barfly — ten minute romantic comedy. Barred — short one act for 4 actors. Benny and Boris — ten minute poignant comedy for two mature actors. Better safe than sorry — ten minute comedy script. Blind Date: The Aftermath. Bob — a comedy skit in 5 minutes. Call of the riled — short skit for Thanksgiving.

Cuckold — ten minute period play. Doctor Duplicate — short medical skit. Down by the River — romantic comedy script. Dueling Chefs — short skit on when chefs fight. ESPN, B. Family Separation — comedy sketch about parents separating.

Fausto e Mefisto — funny Faust script. Frederick J. Prescott — one act funeral home comedy. Funeral Skit — skit about a tragic funeral. For a fish! Gray Matters — funny monologue about the guy who runs your brain. Ham and Eggs — ten minute melodrama. Handsome and Griddle — short skit on Hansel and Gretel.

Hell Froze over — comedy script about sports taken a BIT too far. Hossback — a short satire with cowboys in the old west. Insurance on the line — ten minute comedy plays. Judge Chewout — courtroom comedy skit. Juleo and Romiet — skit on Romeo and Juliet. Lemonade Gurus — comedy about two down and out clowns setting up a lemonade stand. Life of a Salesman — funny play for a cast of 5. Little Miss Muffet Skit.

Little Red Walking Hood — skit on little red riding hood.A through F See below for what is new on the site or click on a letter under "Radio Scripts". Scripts are listed by the first noun in the title. Search with Google. All rights reserved. Privacy Statement Disclaimer Contact Us.

How I started writing radio comedy

Show Title. Abbott and Costello: Various Sketches.

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Academy Award Theater: Brief Encounter. Afternoon Play: Bards of Bromley. Afternoon Play: Killing Maestros. Afternoon Play: The King's Coiner. Amos and Andy: Sam 'n' Henry 1. Amos and Andy:Daylight Savings Time. Arch Oboler's Plays: Bathysphere. Arch Oboler's Plays: Rocket from Manhattan. Archie Andrews: Christmas Shopping. Assignment - Home: The Face. Author's Playhouse: At Midnight on the 31st of March.

Baby Snooks and Daddy: Halloween Show. Badger By Owl-light. Biblical Dramas: Diana of the Ephesians. Biblical Dramas: Number One on the Docket. Big Story. The Big Story: Manhunt in Manhattan.

Boston Blackie: Blackie and the Fur Traders. The Bottle Imp. The Campbell Playhouse: Mr.Sometimes what happens after last call just might change your life. One night injust as Jamie is closing the bar where he works, a desperate last-minute customer offers him and his girlfriend Abby two thousand dollars to sit and have a drink with him.

Who wouldn't take it? Dewey Frye is dead and the rest of his family is left to pick up the pieces -- that is if they don't kill each other first. Funerals bring out the worst, the best, and the funniest in people, and the Fryes are no exception.

radio comedy scripts

When Andy Dufresne is convicted of murder and sentenced to life in the notorious Shawshank prison, he must find a way to keep himself and his hope alive by using his wits and forging friendships. Based on the novella by Stephen King, The Shawshank Redemption brings the story of resilience made famous by the acclaimed film to the stage.

Making God Laugh follows one typical American family over the course of thirty years' worth of holidays. As time passes, the family discovers that, despite what we may have in mind, we often arrive at unexpected destinations.

It'sand two of Hollywood's biggest divas have descended upon the luxurious Palm Beach Royale Hotel -- assistants, luggage, and legendary feud with one another in tow Though Emma is often exasperated by her highly-opinionated mother, Aurora, they talk every day about their problems, from Aurora finding unexpected love even as she becomes a reluctant grandmother, to Emma's struggle in her troubled marriage.

A progressive white couple's proud liberal sensibilities are put to the test when their daughter brings her black fiance home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who's Coming to Dinner. Bertie is the pampered guest of the lively Lady Stella very fetching profileaccompanied, as always, by his peerless valet, Jeeves.

If only Bertie's pal Crumpet hadn't assaulted a prince. Have no fear; Jeeves will sort it all out.

The 20 funniest radio comedies of all time

When Nick's food starts disappearing from his apartment fridge, he immediately suspects his best friend Milo, but Milo refuses to confess, so Nick installs a camera to catch the culprit in the act - and finds an unlikely trespasser.

When a man is accused of abducting half a dozen cats, it's a simple open-and-shut case. And yet, Juror 8, a wannabe lawyer, believes that the "Cat Burglar" is innocent. Will he be able to sway the other jury members? Or will they side with Juror 3, the only sane man in the room Accusations, mistaken identities, and romances run wild in this traditional, laugh-out-loud farce.

Two nuns at the Sisters of Perpetual Sewing have been secretly making wine to keep the convent's doors open, but Paul and Sally, reporters and former fiancees, are hot on their trail Christmas: a time for magic. A time to watch as many original TV movies as a human being can possibly endure. Hamlet's a challenge for any actor, but when Jessica is cast as the titular character in a New York production, it sends her into an existential tailspin.

How can Jessica figure out "to be or not to be," when she can't even figure out herself? The industrious members of the Budapest Women's Club pronounced "Bu-DAP-est" come together for an annual tradition: the crafting of the holiday parade float.

Flo and Donny rule the Home Owners Association at Palm Tree Pines retirement community with an iron fist - until their freewheeling new neighbors Mitzi and Jerry come to town. At some point in their past, the Monroe children noticed that their grandmother only ever tells five anecdotes. Since there are, conveniently, five Monroe children, they've made an annual game out of drawing the stories from her.If you want to learn how to write for TVreading these TV pilot scripts is one of the best ways to help boost your writing ability.

You will learn how to establish the characters in a pilot, set up the world of the show and all about TV pilot structure. Most importantly, study these TV scripts in order to discover how to create a sense of intrigue that will make a reader want to know what happens in the next episode.

As you know, your script will be up against the hundreds of other TV specs out there, so it better make an impression. The list contains examples of single-camera, multi-camera, half-hour, one-hour, network and cable pilots and TV specs, so pretty much every formatting option is also covered. Click to tweet this post. Created by Vince Gilligan as a spin-off from his hit TV series Breaking Bad see belowBetter Call Saul has received similar levels of critical acclaim for its writing.

In fact, when the pilot aired init became the highest-rated premiere in cable history. This is one of the best TV scripts in recent years. From a writing perspective, Breaking Bad is a tremendous study in how to write an anti-hero. This seven-episode Western mini-series is a great example of how TV is attracting some of the very best feature writers. Read this script not only for inspiration on how to create a dystopian future world but also how to adapt a novel into a TV series.

The show was based on the s British TV series of the same name and co-produced by David Fincher, who also directed the first two episodes. It was the originality of the concept offering a glimpse into the world of New York advertising in the s that first got Weiner a job as a writer on The Sopranos.

Mad Men was then finally picked up by AMC seven years later and went on to be widely accepted as one of the best TV scripts of all time. Reading this will be especially helpful to those writers attempting to interweave the emotional storylines of various family members while utilizing the use of flashback.

It was after the moderate success of this film also starring Martin Sheen as Chief of Staffthat Sorkin decided to lift some of its unused scenes and turn them into one of the most influential TV scripts of all time. Shot in a single-camera format, these TV series scripts are definitely worth studying for their original use of surreal humor, satire and abrupt cutaways.

The result was the story of the dysfunctional Bluth family, presented in a serialized format. Casual is a great example of a TV dramedy, mixing both drama and comedy into its TV scripts about an uptight newly divorced woman struggling to navigate life with her daughter and unpredictable brother. If this is your genre, this pilot is worth breaking down and studying. Instead, writer Larry David produces an outline himself, and the dialogue is largely improvised by the actors on set.

Nevertheless, this is essential reading for all comedy TV writers looking to find humor in the minutiae of daily life.

Family Guy TV scripts are generally written by a single writer out of a team of fourteen. If you aspire to make it into a writing room coming up with gags all day, this is a script you need to study. Just as essential is this TV script pilot from the show that won a slew of awards during its ten-year run during the s.

The show that started life as Insomnia Cafebefore becoming Six of Oneand then Friends Like Us is required reading if you want to learn how to set up and pay off jokes within a multi-camera sitcom formula. Christopher Lloyd who worked for many years on Frasier came up with the idea for a family-based mockumentary during a discussion about families with co-creator Steven Levitan.Radio skits include a feel of the old radio shows from back in the day.

If you are old enough to remember them then you know that this era was like no other. These are great skits for seniors for senior centers, social gatherings, etc. And here is a list of more of the most popular shows on the radio: Nick Carter, the detective. Most of the popular radio shows were moved to television soon after the development of tv.

In the aftermath of World War II people would depend on the radio for news events and look forward to their favorite shows to take their minds off things. Entertainment was found in a box called a radio. It was a time when families were gathered around their favorite chairs or huddled on the couch together or around there kitchen tables, taking in all that they could gather. Then later on when most people had at least one car they would tune on the most popular radio shows of all times and listen to them on their car radios as they traveled.

That era may be gone for now and just a piece of history. There are a few websites on the internet now where you can download and listen to these old time radio programs.

radio comedy scripts

They are so nostalgic and fun to listen to. We are offering you a new means to bring it back as well. Here you will find skits that you can perform yourself in the same style as those old radio programs. Always remember though, history has a way of repeating itself. Hope you enjoy the skits for your radio drama.

Please see our Terms of Use page for important information on the rules for using our skits and plays. Radio Skits. Comments We would love your feedback! Leave us a comment in the box below. I promise to use it only to send you Skits-O-Mania News.My first show, Animals Without Backbones, was a mixed bag of sketches I wrote mainly on the tube on the way to work. The show kicked off at the Lion and Unicorn pub theatre in Kentish Town with a sketch about an underwear model who had somehow got stuck on a farm and was plagued by crows — she came on wearing a bikini and galoshes stabbing the air with a garden hoe.

Another was called Mad Dog Macy Gray. The performers came on as Macy Gray eagles, wearing masks of her face, flapping their wings to one of her songs. It was quite a spectacle. One of the performers was a brilliant comic actor called Barney Power. He was also appearing in a play at the same time and had invited along some of his fellow actors.

They took him aside in the bar afterwards and spent an hour telling him why he should stop doing the show immediately. But he stayed and the shows got better while the audiences got worse. We went from 65 the first night to six the last. At least six people saw a good show. I continued meeting up with Barney and we talked about writing some stuff together.

I'd always tried to write funny stuff. I used to circulate surreal cartoons in school up north, inspired by Viz, when it was just a couple of sheets distributed in Newcastle pubs, and was up for collaborating. We didn't really have a long-term strategy apart from we knew we wanted to get our stuff in front of an audience any way we could.

One night in the pub he said he had a title for a comedy play - The Suicide Club — and would I like to write it with him. I said yes. Paying for the room ensured we got some proper work done, and we'd jump around acting out the scenes and scribbling down notes. Using the room after us were a group called Survivors' Poetry. An impatient, bearded man would always poke his head through the door just as we were on a roll and say: "Sorry, time's up!

To help discipline further, we booked a venue for the first show, so we had a target to work towards rather than just messing around for months.

The Canal Cafe Theatre had agreed to a one-night only deal for a box office split. The show became about a New Model Army fan obsessed with music and suicide. On the first night there was a young BBC Radio producer there to see some proper comics after us and we persuaded him to see our show. We had a brief chat with him afterwards and he mentioned that the comedy department had been trying to get an afternoon play commissioned for a while, and so it might be good for that.

He agreed to submit it to the next programme development group. BBC Radio comedy hold the groups monthly to decide on scripts to be offered to Radio 4, mainly. We set about writing it as a spec script for radio. It was submitted to the group and we got some great feedback, but Radio 4 turned it down saying it wasn't right for an afternoon play. However, the department were behind us and they asked if we had any other ideas on the go. My brother and I had been moving around a lot and we had most of our possessions in bags.

My brother had some very random stuff.

Comedy Scripts

I'd open a plastic bag and there'd be a bit of metal in there and a newspaper. The mad thing was he'd labelled it "Random stuff from under the desk" or "Various shit". One day we took a load to a storage unit. It was massive.

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It crossed my mind that you could live there and nobody would know Self Storage was a sitcom about Dave, recently split up with his wife, who moves all his possessions into a storage unit.

Then, when he realises he's got nowhere to go himself, he moves in with his stuff. After many months of re-writing, waiting, recording a pilot with Barney and actor Kevin Eldon and writing another pilot script, it was commissioned and went to two series.Please refresh the page and retry.

But radio comedy itself is nothing new. Hell is other people, as Sartre observed. The concept began to sag in later years, but at its best it pirouetted between daft slapstick and genuine pathos.

Sadly, the later TV show failed to capture the magic. The first series of this delightfully shambolic stand-up cabaret caught king-of-the-fringe Watson at the height of his powers, as he expounded on his plans to rid the world of the seven deadly sins. Graham Fellows had a top 10 hit in as Jilted John and then promptly disappeared. So his reinvention as John Shuttleworth, Yamaha keyboard-playing Yorkshireman, felt like a lovely progression of a spotty career.

However, behind the goofiness there is a cohesive and very clever comedy mind which found the perfect vehicle in this series, which saw our man bestride the globe in a number of expert guises. The series, which spawned a wildly popular TV show, was the closest British comedy ever got to rock and roll. David Baddiel, Hugh Dennis, Rob Newman and Steve Punt were the quartet who brought a mixture of swagger and undergrad humour to a host of recurring characters.

It transferred to TV, but much of the bite was lost in translation. The format was later developed for Channel 4. A precursor to the HBO series that saw New Zealand's fourth-most-popular folk duo attempting to break America, the radio show has Brett and Jermaine struggling to make it in Britain. If anything it's even funner than the TV version, with much more of Rhys Derby's hapless manager Murray his phone calls with Neil Finn, the very patient lead singer of Crowded House, are a recurring highlightbone-dry narration from Rob Brydon, and even a cameo from reclusive comedy odd-bod Daniel Kitson as the UK's "king of novelty" Dan and the Panda.

This wickedly inventive sketch show sent up bland Radio 4 staples such as the Afternoon Play with savage wit, and a self-aware edge; Law played herself, bitterly resentful towards her real-life daughter Thompson. Chris Morris is reportedly a huge fan. It introduced the gay slang of polari to the nation Bona! Spike Milligan drove himself through a string of nervous breakdowns churning out Goon Show scripts, but his fevered imagination gave us one of the greatest influences on modern and post-modern comedy, at once daringly avant-garde and deeply silly — and impossible to explain.

COMEDY PLAY SCRIPTS

Monty Python looks tame by comparison. No, this wasn't the mighty Partridge's debut — that honour will always belong to Radio 4's spoof news show On the Hour, broadcast the previous year — but it was here that one of comedy's all-time-great characters first let his desperate, Little England, magnificently insecure psyche roar. The sublime peregrinations of a tortured genius formed the backbone of radio comedy for Fifties listeners. Hancock broke new ground with its sitcom format, and also perfectly captured the humdrum existence of the post-war suburban man — rainy Sundays, interminable queues at the bus stop and the petty bureaucracy of local councils.

There was also more than a dash of surreal humour, which is said to have influenced Harold Pinter. It starred Simon Jones soon to reprise the role in a new series as Arthur Dent, the mild-mannered Englishman who wakes up to find the Earth is about to be destroyed to make way for a hyperspace bypass. Writer Douglas Adams pushed the medium to its limits, conjuring otherworldly landscapes no Hollywood movie could ever match with help from the pioneering BBC Radiophonic Workshop.

It had a killer theme tune, to boot. Endlessly quotable, often profound, Hitchhiker's was a sui generis masterpiece. The first series, Ed and Lauren Get On, will be available to download from February 5, and air on Radio 1 every Wednesday between 3 and 5am from February 7. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Visit our adblocking instructions page.

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Telegraph Culture Radio What to listen to. Mark Watson Makes the World Substantially Better Radio 4,The first series of this delightfully shambolic stand-up cabaret caught king-of-the-fringe Watson at the height of his powers, as he expounded on his plans to rid the world of the seven deadly sins. The Shuttleworths Radio 4, Graham Fellows had a top 10 hit in as Jilted John and then promptly disappeared.

radio comedy scripts

The Mary Whitehouse Experience Radio 1, The series, which spawned a wildly popular TV show, was the closest British comedy ever got to rock and roll. Flight of the Conchords Radio 2, A precursor to the HBO series that saw New Zealand's fourth-most-popular folk duo attempting to break America, the radio show has Brett and Jermaine struggling to make it in Britain. Knowing Me, Knowing You with Alan Partridge Radio 4, No, this wasn't the mighty Partridge's debut — that honour will always belong to Radio 4's spoof news show On the Hour, broadcast the previous year — but it was here that one of comedy's all-time-great characters first let his desperate, Little England, magnificently insecure psyche roar.

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